Split Fiction Original Soundtrack - Out Now!
11 April 2025
Add these Split Fiction fantasy and sci-fi soundscapes to your playlists right now!
We have great news for fans of the Split Fiction original soundtrack as it is now available to stream on the platform of your choice! Head to Spotify, Apple Music, or YouTube Music then sit back, put your headphones on, and let the original soundtrack’s 45 unique tunes transport you to the sci-fi and fantasy worlds that Mio and Zoe explore throughout the game.
Track list
Take a look at the original soundtrack listing below and hunt down your favourite pieces from the game so you know which tracks to listen to first. And depending on what you might be in the mood for, we’ve picked out a few highlights to premiere in this blog:
- If you are looking to reminisce about the cozy time you spent as an Otter and Fairy dream team, we recommend going to track 09 - Hopes of Spring!
- If you need to get your heart pumping then look no further than track 07 - Time To Die, which makes perfect background music for any battles you encounter with overzealous robot ball parking attendants.
- Looking to be taken on an emotional journey with your music? Track 26 - The Prisoner, will help you conquer your inner demons.
- Was the thumping beat from the nightclub in Neon Revenge stuck in your head after playing the level? Jump to track 36 - In Love, and host your own all night techno rave!
The full tracklist is as follows:
- 01 - Split Fiction Main Theme - Jonatan Järpehag
- 02 - Freedom Fighters - Gustaf Grefberg
- 03 - Brave Knights - Jonatan Järpehag
- 04 - Revenge - Gustaf Grefberg
- 05 - Play Me Techno - John Walden, Gustaf Grefberg
- 06 - Hammer Time - John Walden, Gustaf Grefberg
- 07 - Time To Die - Gustaf Grefberg
- 08 - Gravity Bike - Gustaf Grefberg
- 09 - Hopes of Spring - Jonatan Järpehag
- 10 - The Monkey King - Jonatan Järpehag
- 11 - Winter Extravaganza - Jonatan Järpehag
- 12 - Final Dawn - Gustaf Grefberg
- 13 - Infiltration - Gustaf Grefberg
- 14 - Toxic Shift - Gustaf Grefberg
- 15 - The Overseer - Gustaf Grefberg
- 16 - The Escape - Gustaf Grefberg
- 17 - A Serpentine Path - Jonatan Järpehag, Gustaf Grefberg
- 18 - Water Temple - Jonatan Järpehag, Gustaf Grefberg
- 19 - Dragon Riders Unite - Jonatan Järpehag, Gustaf Grefberg
- 20 - Might of Dragons - Jonatan Järpehag
- 21 - Megalith's Wrath - Gustaf Grefberg, Jonatan Järpehag
- 22 - The Subconscious - Gustaf Grefberg
- 23 - Prison Courtyard- Gustaf Grefberg
- 24 - .exe-QT-3.14 - Gustaf Grefberg
- 25 - Maximum Security - Gustaf Grefberg
- 26 - The Prisoner - Gustaf Grefberg, Jonatan Järpehag
- 27 - An Ominous Welcome - Gustaf Grefberg
- 28 - Ghost Town - Gustaf Grefberg, Jonatan Järpehag
- 29 - The Hydra - Jonatan Järpehag
- 30 - System Failure - Gustaf Grefberg
- 31 - Worlds Apart - Gustaf Grefberg
- 32 - Cross Section - Gustaf Grefberg
- 33 - Final Showdown - Gustaf Grefberg, Jonatan Järpehag
- 34 - In memory of Blake Hudson - Jonatan Järpehag
- 35 - Terraform - John Walden
- 36 - In Love - John Walden, Gustaf Grefberg feat. Paulina Palmgren
- 37 - Train Heist - Gustaf Grefberg
- 38 - Train Conductor - Gustaf Grefberg
- 39 - Kites - Jonatan Järpehag
- 40 - Slopes of War - Gustaf Grefberg
- 41 - Birthday Cake - Jonatan Järpehag
- 42 - Mountain Hike - Gustaf Grefberg
- 43 - Moon Market - Jonatan Järpehag
- 44 - The Legend of the Sandfish - Gustaf Grefberg
- 45 - The Prince - Jonatan Järpehag
Split Fiction Composer Q&A
To celebrate the release of the original soundtrack, we sat down with one of the game's composers, Gustaf Grefberg (AKA Lizardking), to ask some exclusive behind-the-scenes questions about how the score was produced.
- How did you find working on and creating music for a game like Split Fiction, which jumps between sci-fi and fantasy genres?
As fun as it gets. It helps to be more than one composer, of course. We can tag in and out when things get challenging. But the truth is that during several years of production, it almost never got boring. Even within the genres, we had so much room for variation, and aiming for something unique in each chapter was so much fun. You will find that the chapters within a genre sound different too. It’s certainly harder sometimes to churn out new ideas on an almost daily basis, but it’s certainly fun too.
- When creating music for a particular level, what was your process for creating a track that fit the mood and tone of the level?
We sat down and played through with what we had, which often meant something very much work-in-progress. We discussed the overall feeling before we spent some time (usually one to two weeks, depending on available time) to just try out ideas and moods. We then sat down with Josef and listened together and came to a final direction. Sometimes we got them down right away, other times we went through a few iterations to get the feeling and mood that we all aligned with and Josef enjoyed.
- When creating the OST for Split Fiction, what inspirations did you take from other games/media, if any?
Since every chapter in Split Fiction is so different, we wanted to do things similarly to the visuals and the gameplay and throw the player into a new world of music. Sometimes the inspiration comes from common genres like trance or drum and bass or cinematic new age music. Other times the inspiration originated from a single instrument. For example, the traversal music throughout most of Summit is based on our own live recordings of hangdrums. There are a few subtle references in there, but most inspiration is based on the foundations of genres or instruments taken in our own unique direction.
If reading about the game's soundtrack has got you wanting to learn more about Split Fiction, we recommend joining the Hazelight Discord! Make sure to follow Hazelight on both X and Instagram to see more aspects of the game!